|
A
|
| Abbreviation |
Shortened form of a word. |
| Acronym |
Word formed from the initial letters
of other words, often replaces the original longer title. |
| Addendum |
Addition after a work has been printed. |
| ADP(EDP) |
Automatic (electronic)
data processing by electronic systems. |
| Against the Grain |
Folding paper at right
angles to the grain of the paper. |
| Agate Line |
Little used standard of
measurement for depth of advertising columns (mainly in press).
There are 5.5 agate lines per column centimetre. |
| Airbrush |
Compressed air gun, shaped
like a pencil that mainly sprays watercolour, thin tempera, ink
or transparent dye pigment. |
| Air Knife Coating |
A method of coating used
in papermaking. The coating mixture is applied by a metal roller
and distributed by a thin, flat jet of air from a slot in a metal
blade extending across the machine. |
| Alterations |
Changes made to copy after
it has been set in type. |
| Ampersand |
The symbol for "and". |
| Antique |
Book paper having the appearance
of hand-made paper. |
| Aperture Card (Slide Frame) |
Holder which frames a transparency,
as in microfilming or for projection. |
| Arabic Figures |
Numerals in normal use:
1, 2, 3 Roman figures are: i, ii iii. |
| Art Paper |
Paper, usually of high
gloss, coated with china clay. |
| Artwork |
Drawings, lettering and
general ornamentation prepared by the artist in final form for
reproduction. |
| Ascender |
That part of the letter
which rises above the main type body, as in "b" |
| Asterisk |
First of the six reference
marks. (*) |
| Author's Corrections |
Corrections made by the
author to modify a proof of the original copy. |
| Author's Proof |
Proof showing corrections
made by the author or editor. |
| Autolithography |
Lithography from plates
prepared or drawn by hand, now usually a form of fine art for
limited edition prints. |
| Automatic Typewriter |
Typewriter designed to
respond to commands from a control unit or tape. |
|
|
|
B
|
| Back |
Inner margin of a page. |
| Backbone |
Back of a bound book connecting
the two covers; also called spine. |
| Back Lining |
Paper or fabric adhering
to the backbone or spine in a hard case book. |
| Backing |
Binding operation to consolidate
the back of a book. |
| Backing Up |
Printing the reverse side
of a sheet already printed on one side. In electrotyping, backing
a copper shell with metal to make the plate the required thickness. |
| Bad Break |
Typesetting the last part
of a hyphenated word to appear as the first word on a page. Also,
incorrect word hyphenation. |
| Bank Paper |
Thin, tough writing paper,
usually less than 61 gsm in weight. |
| Banker |
Envelope with the opening
on its longer dimension. |
| Base |
Metal below the shoulder
of type. The block on which letterpress printing plates are mounted
to make them "type high". |
| Bastard Title |
See Half-title. |
| Bearer |
In photoengraving, the dead
metal left on a plate to protect the printing surface while moulding.
In composition, type-high slugs locked up inside a chase (Q.V.)
to protect the printing surface. In presses, the surface-to-surface
ends of cylinders that come in to contact with each other. |
| Beating |
Beating to mesh the pulp fibres
in papermaking so that the fibres produce the desired quality
of paper. |
| Bed |
Base on which the type rests
on a flat-bed letterpress printing machine. |
| Benday |
Trade name for a method of
laying a screen (dots, lines and other textures) on artwork or
plates to obtain various tone and shading effects. |
| Bible Paper |
Thin printing paper (India
paper) used for the Bible and other works to reduce bulk. |
| Bibliography |
List of reference books included
in a book. |
| Bimetal Plate |
Lithographic plate in which
the printing image base is copper or brass and the non-printing
area is aluminium, stainless steel, or chromium. |
| Binary Notation |
Numerical system which
forms the basis of computer mathematics. Only two digits are used,
"0" and "1". |
| Binders' Board |
Paper board used in making
the cover of a cased book. |
| Bit |
Contraction of "binary
digit"; the binary notation has only two digits, "0"
and "1" |
| Bite |
In photoengraving, the
various stages of acid etching, the depth increasing after each
bite. |
| Black-and-White |
Originals or reproductions
printed in black (as distinct from multicolour) . |
| Black Letter |
Old English or Fraktur
type classification. |
| Black Printe |
In colour reproduction,
the black plate, which adds contrast, depth and detail to colour
illustrations. |
| Blade Coating |
A method of coating in
papermaking. The mixture is applied to the surface by rollers
to give a thin, level coating. Excess is removed by a thin flexible
metal blade as it smoothes the surface. Differs from air knife
coating. |
| Blanket |
In offset lithography,
a flexible fabric clamped around the cylinder, which transfers
the image from plate to paper. |
| Bleaching |
Papermaking process to
whiten cellulose fibres. |
| Bleed |
Where the image extends
to the edge of a printed sheet, without leaving a border. |
| Blind P |
See Paragraph Mark. |
| Blind Image |
In lithography, a plate
image that has lost its ink receptivity. |
| Blind Stamp (Emboss) |
Design which is stamped
or embossed without gold leaf or ink, giving a bas-relief effect. |
| Block |
See Line Block and Halftone
Block. Also see Gold Block. |
| Blocking |
Lettering or ornamentation
impressed into a stock or the cover of a book. |
| Blocking Out |
Eliminating backgrounds
or other portions on a negative by opaquing or masking out. |
| Blowup |
Enlargement. |
| Blue Key |
Blueprint of a basic design
on glass or a vinyl plastic sheet which contains all elements
with register marks. |
| Blueprint |
In offset lithography and
photoengraving, a negative or positive photoprint on paper used
as a proof. |
| Body |
In inkmaking, a term referring
to the viscosity, consistency, or covering power. E.g. ink with
too much body is stiff. |
| Blurb |
Publisher's description
of a book, printed on a dust jacket or elsewhere. |
| Body Matter |
Text matter (as distinct
from display) . |
| Body Size |
Depth of a type as distinct
from its face size. |
| Body Type |
Type used for the text
of a book, as distinguished from the headings. |
| Bold-Face Type |
Type that is heavier than
the text type with which it is used. |
| Bolts |
Closed edges of a folded
sheet which are opened by trimming or slitting. Bond Paper writing
or printing paper where strength, durability and permanence are
required. Used for letterheads, business forms, stationery etc. |
| Book Paper |
General term used to define
a class or group of papers having common physical characteristics
that, in general, are most suitable for book production. |
| Border |
Continuous rule or decorative
design bordering a type or illustration area or advertisement. |
| Box |
Type area enclosed by rules. |
| Brace |
Connecting device for two
or more lines of type. |
| Brackets |
Square brackets or parentheses
used as a grammatical device. |
| Break for Colour |
In artwork and composition,
to separate the parts to be printed in different colours. |
| Brightness |
In photography, light reflected
by the subject, used to determine exposure. In paper, the reflectance
of brilliance of the paper. |
| Bristol Board |
White artists' board with
a high quality surface, used for line drawings. |
| Broadsheet |
Standard imperial sheet
size of paper Also a large single sheet printed on one side only
(poster). |
| Brochure |
Pamphlet bound in the form
of a booklet. |
| Bromide |
A contraction of photo
bromide. An accepted part of the language of advertising. Means
black and white photoprint, usually of type, logo or packs, but
loosely covers any black and white photograph. See Repro Bromide |
| Bronzing |
Printing with a sizing
ink, then applying bronze or gold powder while still wet to produce
a metallic lustre. |
| Brownprint |
Brown photograph on special
photographic paper, used for proofing when exposed to sunlight.
The image is impermanent unless fixed. |
| Brush Coating |
A method of applying coating
(pigment and adhesive) to paper by cylindrical brushes or metal
rollers. The coating is smoothed by means of oscillating flat
brushes on the web as it is drawn tightly over a moving rubber
apron or a revolving drum. |
| Bulk |
Thickness of paper. |
| Burnishing |
In photoengraving, treatment
of a printing plate to darken local areas by spreading the printing
surface of lines and dots. |
| Burst Binding |
A form of binding similar
to perfect binding (Q.V.) . |
|
|
|
C
|
| Calender |
Stack of horizontal cast
iron or steel rolls at the end of a paper machine. The paper is
passed between the rolls to increase the smoothness and gloss
of its surface. |
| Caliper |
Thickness of paper, expressed
in microns. |
| Calligraphy |
Letters written with a
quill-shaped pen. |
| Camera-Ready Copy |
Complete copy which a printer
uses as am original for making a printing plate without further
work being necessary. |
| Caps |
Capital letters. |
| Caps and Small Caps |
Words with the initial
letters in capitals and the other letters in small capitals. |
| Caption |
Term applied to the explanatory
text accompanying an illustration. |
| Carbro |
Photograph in full colour,
used for process colour reproduction. |
| Caret |
Editing symbol to indicate
that something is to be inserted. |
| Cartridge Paper |
Tough paper, usually with
a rough surface often used for drawing. |
| Case |
In bookbinding, the covers
of a hard bound book. |
| Case-Bound |
Books bound in stiff boards
covered by fabric or other material. |
| Casing-ln |
Insertion of the text contents
of a book into the cover boards when binding. |
| Cast Coated |
Coated paper dried under
pressure against a polished cylinder to produce a highly glossed,
mirror-like finish. |
| Casting Off |
Calculating the number
of lines of type the typescript or manuscript will make in a predetermined
size. |
| Catch Line |
Headline used to identify
the contents of galley proofs. A precis of the following material. |
| Catching Up |
Indicates that the non-image
areas of a lithographic press plate are inking up. |
| Chain Marks |
Lines on laid paper, parallel
with grain, usually about one inch apart. |
| Chalking |
Improper drying of ink.
Pigment dusts off because the ink solution vehicle has been absorbed
too rapidly into the paper. |
| Character Count |
The basis of most typographic
decisions. The number of characters in a block of text can help
to determine the selection of typeface, type size and type area. |
| Chase |
Metal frame in which type
and plates are securely locked for letterpress printing. |
| Chemical Wood Paper |
Paper made from wood pulp
treated chemically to remove the lignin. See Papermaking. |
| Circular Screen |
Circular-shaped halftone
screen which enables the camera operator to obtain proper screen
angles for colour halftones without disturbing the copy. |
| Clean Proof |
Printers proof which requires
no corrections. |
| Close Up |
Remove word or line spacing. |
| Coated Paper |
Paper with a surface coating
to produce a smooth finish either matt or gloss. |
| Cold Type |
Type set by direct-impression
method or by photocomposing machines. These pro do not use hot
metal. |
| Collate |
To bring sections of a
work together correct sequence. |
| Collotype |
Method of high quality
screenless printing using a plate consisting of a gelatine coating
on glass. Suitable for short runs on |
| Colophon |
An ornamental tail-piece
once used in books. The title-page now carries this information. |
| Colour Correction |
Masking, dot-etching, or
re-etching, used to improve the quality of colour rendition. |
| Colour Filter |
Sheet of dyed glass, gelatin,
plastic or dyed gelatin cemented between glass plates, used in
photography to absorb certain colours and permit better rendition
of others. Essential to the old colour separation process cameras
now largely replaced by scanners. |
| Colour Proofs |
See Progressive Proofs. |
| Colour Separation |
Separation of the colours
making up a full colour original, usually into the three primaries
plus black, each of which will be reproduced by a separate printing
plate. Additional colours are often needed for fine art reproduction.
Modern colour separation systems use laser scanners controlled
by computers. An artist can pre-separate by using separate overlays
for each colour. |
| Column Rule |
Rule used to separate vertical
columns of type in text or in tabulations. |
| Com |
Computer output microfilm.
Material produced in microform from computer input. |
| Combination Plate |
In photoengraving, halftone
and line work combined on one plate: etched for both halftone
and line depth. |
| Composing |
Setting type. |
| Composing Stick |
A hand tool in which type
is assembled and justified. |
| Compositor |
Tradesman typesetter. |
| Concertina Fold |
Term used for two or more
parallel paper folds which open in concertina fashion. |
| Condensed Type Face |
A typeface in which the
normal width of letters has been reduced. Useful for words displayed
in a narrow space. |
| Contact Print |
Photographic print made
from negative or positive in contact with sensitised paper, film,
or printing plate. |
| Contact Screen |
Halftone screen on film
having a dot structure of predetermined density, used in vacuum
contact with photographic film. Used with photocopiers where continuous
tone prints are involved and for facsimile transmission. |
| Contents |
List of chapter titles,
main headings or other divisions of a book inserted in the preliminary
pages before the main text. |
| Continuous Tone |
Photographic image which
has not been screened and contains gradient tones from black to
white. |
| Contoured |
See Cut-out Halftone. |
| Contraction |
Shortened form of a word
which ends in the same letter as the word itself. |
| Contour |
To remove the original
photographic image from around a given area by following the shape
of the subject so that the surround is white when printed. |
| Contrast |
Tonal gradation between
highlights and shadows in an original or reproduction. |
| Copy |
Typewritten manuscript,
pictures, artwork etc., to be used in the production of printing. |
| Copyboard |
Frame to hold original
copy while it is being photographed by the process camera. |
| Copyfitting |
In composition, checking
type size, arrangement, or content of copy to fit a given area. |
| Copy Preparation |
In photomechanical processes,
directions as to desired size and other details for illustrations
and the arrangement into proper position of various parts of the
page to be photographed for reproduction. In typesetting, the
checking of original copy to ensure a minimum of changes after
type is set. |
| Counters |
Enclosed spaces within
a letter, e.g. the loop of the lower case "e" |
| Cover Paper |
Papers used for the outside
covers of catalogues, brochures and booklets. |
| CPU |
Central processing unit.
Components of a data processing system, comprising the arithmetical
and logical circuits and the control unit which initiates instructions. |
| Cropping |
Trimming or masking of
unwanted portions of an illustration. |
| Crossline Screen (Glass Screen) |
In halftone photography,
a grid pattern with opaque lines crossing each other at right
angles, thus forming transparent squares or "screen apertures". |
| Crossmarks |
Register marks for accurate
positioning of images in step-and-repeat, double or multicolour
printing; also in superimposing overlays onto a base or to each
other. |
| Crown |
Imperial paper size measuring
20" x 15" (50.8 cm x 38.1 cm). |
| CRT |
Cathode ray tube, similar
to a television screen, used to generate images in computer typesetting
and to display information. |
| Crystallisation |
Condition in which a dried
ink film repels a second ink which must be printed on top of it. |
| CTS |
Computer typesetting. The
generic term used to describe the operations undertaken by computers
to assist in the process of typesetting. |
| Curl |
In paper, distortion of
the unrestrained sheet due to differences in structure or coatings
from one side to the other. The curl side is the concave side
of the sheet. |
| Cursive |
Italic types. So called
because of its broad similarity to the handwritten form. |
| Curved Plate |
In letterpress, an electrotype
or stereotype, backed up to proper thickness and precurved to
fit the cylinder of a rotary press. |
| Cut |
In letterpress, a photoengraving
of any kind. |
| Cut-ln Illustration |
Illustration occupying
less than a page width with type set alongside it. |
| Cut-out Halftone |
Halftone illustration from
which the background has been removed. Often referred to as "contoured" |
| Cutscore |
In die-cutting, a sharp-edged
knife, usually several centimetres lower than the cutting rules
in a die, made to cut part way into paper or board to facilitate
folding. |
| Cyan |
The blue green component
of the standard four-colour printing colours. |
|
|
|
D
|
| Dagger |
Second of the reference
marks, following the asterisk. Also known as the obelisk. |
| Dampeners |
In lithography, cloth-covered,
parchment paper or rubber (bare back) rollers that distribute
the dampening solution to the press plate. |
| Dandy Roll |
In papermaking a wire cylinder
on papermaking machines that makes water- marks or wove or laid
effects which can he seen by holding paper up to the light. Used
in the ù manufacture of better grades of business and book papers. |
| DataBank |
Storage of information
for subsequent processing. e.g. Computer typesetting systems carry
large databanks of type styles, sizes and storage of material
which has been set. |
| Deboss |
A plate sunk image. |
| Decimal Point |
True decimal point, sometimes
referred to as the waisted point. For general purposes a dot on
the line (a full stop or a one- dot leader) is preferred to the
true decimal point. |
| Deckle Edge |
Untrimmed feather edge
of a sheet of paper formed where the pulp flows against the deckle.
A characteristic of hand-made paper. |
| Deep Etch |
In offset lithography,
a positive working plate used for long runs where areas are slightly
recessed below the surface. In photo engraving, an additional
etch given to relief plates to ensure that non-printing areas
not receive ink. |
| Deep Page |
A page with one or more
extra lines. |
| Demy |
Imperial paper size measuring
22.5" x l7.5" (57.15 cm x 44.45 cm). |
| Densitometer |
Photoelectric instrument
which measures the density of photographic images, or of colours.
Used in colour printing and quality control to determine accurately
whether colours are consistent throughout the run. The densitometer
reads the solid colour bars to be seen on the untrimmed printing
sheet. |
| Density (Apparent Density) |
Weight per unit volume
of a sheet of paper, calculated by dividing the grammage by the
thickness (caliper) expressed as g/cm3, the lower the density,
the greater the bulk. |
| Dermatitis |
Skin disease, characterised
by an itching rash or swelling; can be caused by photographic
developers, chromium compounds and solvents. |
| Descender |
That part of the letter
which extends below the main body, as in "p". |
| Desensitiser |
In lithographic platemaking,
making non-image areas of a plate non-receptive to ink through
chemical treatment of the metal In photography, an agent for decreasing
the sensitivity of photographic emulsion to facilitate development
under comparatively bright light. |
| Developer |
In photography, the chemical
agent and the process employed to render photographic images visible
after exposure to light. In Iithographic platemaking, the material
used to remove unlighthardened coating. |
| Diazo |
Copying or colouring process
using a compound decomposed by light. |
| Didone |
Type face classification
using the Standard Type Classification system. Used to describe
types where there is a marked contrast between thick and thin
strokes such as Bodoni, Corvinus and others. |
| Didot |
European point size. The
Didot point measures 0.3759 mm (0.0148 "). Twelve Didot points
equal one Cicero. |
| Die-Stamping |
Printing from images engraved
into copper or steel. |
| Digesting |
The process by which softwood
chips are "cooked" with chemicals to produce pulp for
paper manufacture. |
| Dimensional Stability |
Resistance of paper or
film to dimensional changes with changes in moisture content. |
| Diphthong |
Two vowels joined together,
ae etc. |
| Direct Screen Halftone |
In colour separation, a
halftone negative made by direct exposure of a colour image through
a halftone screen. |
| Discretionary Hyphen |
Hyphen inserted at the
discretion of a computer operator |
| Display |
Type used for headings.
titles, advertisements etc. |
| Display Type |
In composition, type set
larger than text. |
| Distributing Roller |
Rubber covered roller which
conveys ink from the fountain to the ink drum of a printing press. |
| Doctor Blade |
In gravure, a knife-edge
blade pressed against the engraved printing cylinder to wipe excess
ink from non-printing areas. |
| Dot |
The basic constituent of
a halftone. |
| Double Dagger |
The third of the reference
marks; it follows the dagger. |
| Double Dot Halftone |
In lithography, two half-
tone negatives combined into one printing plate, adding greater
tonal range than conventional halftones. One negative reproduces
highlights and shadows: the other reproduces middletones. |
| DPI |
Dots per inch. A measure
of degree of resolution of a printed image. Standard laser printers
print 300 dpi, Linotronics up to 3000 dpi. |
| Draw Down |
In inkmaking, the ink chemist's
method of roughly determining colour shade. Ink is placed on paper
and drawn with the edge of a spatula to get a thin film of ink. |
| Drier |
In inkmaking, a substance
added to hasten the drying of the printed sheet. |
| Dropout |
Halftone with no screen
dots in the highlights. |
| Drop Shadow |
A tone of colour, or line,
which falls on one side of horizontal and vertical parts of type,
as would a shadow on a three dimensional object. |
| Ductor Roller |
In lithography, the roller
in both the inking and dampening mechanism on a press which alternately
contacts fountain roller and vibrating drum roller. |
| Dropped lnitial |
Initial capital which extends
below the first line of the text, lining up at its top with the
first line of a chapter. |
| Dull Finish |
A paper finish with little
or no gloss. |
| Dummy |
Sample of the proposed
work prepared before printing to assist in assessing design and
estimating production requirements. A binder's dummy is made to
establish the exact dimensions of the bound book. |
| Duotone |
Halftone printed using
black and colour halftones, or in any two colours. |
| Duplex Paper |
Paper having a different
colour or finish on either side. |
| Duplicator Paper |
Smooth, hard-surfaced paper
made for use on spirit duplicators. |
| Dust Jacket |
Wrapper around a case-bound
book to protect the binding. |
| Dyeline |
Proof prepared photographically. |
|
|
|
E
|
| Edition |
Print involving resetting;
or a book produced to a different format, e g. pocket edition,
paperback. |
| Edition Binding |
An edition of books. |
| EDP |
See ADP. |
| Electrotype |
Electroplated letterpress
printing plate. |
| Elite |
Typewriter typeface having
twelve characters to the inch. |
| Ellipsis |
Omission of words, indicated
by three dots. |
| Em |
Square of the type body.
Commonly, but incorrectly, used instead of pica as a general measure
of 12 points. |
| Embossed Finish |
Paper with a relief or
intaglio surface to imitate wood, cloth, leather, metal or other
pattern or the raised print resulting from printing of an engraved
plate. |
| Embossing |
Relief image to achieve
a raised printed surface, (blind embossing gives an uninked impression
on blank paper). |
| En |
One-half the width of an
em. |
| Enamel |
Term applied to coated
paper or to paper- coating material. |
| Endmatter |
Printed matter (usually
explanatory) following the text of a book, e g. appendices, bibliography,
index etc. |
| Endnotes |
Explanatory material printed
at the end of a chapter, article or text. |
| Endpapers |
An integral step in bookbinding
casebound books. A folded pair of papers attached to the first
and last signatures of a book, one fold is pasted to the inside
cover, to cover the edges of the book cover fabric. |
| English Finish |
Book paper with a smoother,
more uniform surface than machine finish. |
| Errata Slips |
Correction slips - tipped
in or inserted as separate sheets, after printing. |
| Etch |
In photoengraving, to produce
an image on a plate by chemical or electrolytic action. In offset
lithography, an acidified gum solution used to desensitise the
non-printing areas of the plate. Acid solution added to the fountain
water to help keep non-printing areas of the plate free of ink. |
| Even Pages |
Left-hand pages bearing
even numbers. |
| Expanded Type |
Type in which the letters
are wider than normal; extended type . |
|
|
|
F
|
| Face |
Printing surface of type. |
| Facsimile |
Exact reproduction of a
letter, document or signature Sometimes abbreviated as "facsim"
or "fax" A system now widely used for the reproduction
in transmission of printed or typed material. |
| Fashion Board |
Art board used by artists
for illustrations, varying in nature, for line or wash drawings. |
| Featherweight |
Light bulky paper made
with little or no calendering. |
| Feeder |
Section of a press which
separates the sheets and feeds them into position for printing. |
| Feet |
The base of metal type.
Metal type which is not sitting properly on the bed of the machine
is said to be "off its feet" . |
| Felt Side |
Smoother side of printing
paper. The top surface of the sheet in paper manufacturing. The
nature and appearance of paper usually differs on either side
of the sheet. |
| Figure |
Illustration or diagram
printed with the text. |
| Filling In |
(or Filling Up) Letterpress
or offset lithography where ink fills the space between the halftone
dots or areas of type. |
| Fill-Ups |
Material inserted in periodicals
where columns fall short. |
| Filmsetting |
See Photocomposition. |
| Fixing (Solution) |
Chemical solution to remove
unexposed silver salts in an emulsion without affecting the metallic
silver which has been deposited by the developer. The photographic
image is thus made permanent. |
| Flange |
Projecting flat rim on
the edge of letterpress blocks. |
| Flash |
Exposure In halftone photography,
supplementary exposure to strengthen dots in the shadow areas
of negatives. |
| Flat |
In offset lithography,
the assembled composite of negatives or positives, ready for platemaking.
Also, a picture lacking in contrast. |
| Flat Etching |
Reduction of silver deposits
in a continuous tone or halftone plate, by placing it in a tray
containing etching solution. |
| Flexography |
A process involving printing
from rubber or (more recently) plastic plates. |
| Flong |
Papier mache material used
for making "mats" (matrices); the moulds used for casting
stereotypes. |
| Flow |
Ability of ink to spread
over a surface or into a thin film. |
| Flowers |
Type ornaments used to
embellish borders etc. |
| Flush Mounting |
Mounting a relief plate
so that the printing surface is flush with the edge of the block. |
| Flush Cover |
Cover trimmed to the same
size as the text pages, e.g. paperback books. |
| Flush/Range Left (or right) |
In composition type set
to line up on the left (or right). |
| Flush Paragraph |
Paragraph with no indentation. |
| Fly-Leaf |
Blank leaf at the beginning
or end of a book. |
| Flying Paster |
In web printing, an automatic
device that splices a new web of paper onto an expiring roll,
without stopping the press. |
| Fog |
Photographic defect in
which the image is veiled by a deposit of silver, caused by stray
light or incorrectly mixed chemical solutions. |
| Foil Stamping |
Process which employs the
same basic principle as letterpress printing, the ink being replaced
by foil, applied with heat. |
| Folder |
Printed work which is simply
folded. |
| Folio |
The page number. |
| Follow Copy |
Typesetting instruction
to set type in accordance with copy, making no changes in spelling,
capitalisation and punctuation. |
| Font |
Complete range of type
of one size and face. |
| Foolscap |
Imperial paper size, measuring
17" x 13.5"(43.18 cm x 34.29 cm). |
| Footnotes |
Notes set in small type
at the foot of a page. |
| Fore Edge |
Outer margin of a page
opposite side to spine. |
| Foreword |
Prelude to the true text,
usually written by someone other than the author. |
| Form(e) |
Type and other material
locked in a chase preparatory to printing. |
| Format |
Size, style, type, margins,
printing requirements, etc., of any printed piece. |
| Forme Rollers |
Rollers which come into
direct contact with the plate. |
| Fountain Solution |
In lithography, a solution
of waker, gum arabic and other chemicals used to dampen the plate.
Moistened non-printing areas do not accept ink. |
| Free Sheet(Wood Free) |
Paper free of mechanical
wood pulp. |
| French Joint |
In bookbinding a joint
having a deep groove to allow thick binding material (e.g. leather)
to be used without making the book difficult to open. |
| Frontispiece |
Left-hand page illustration
facing the title-page. |
| "F " Stops |
Fixed sizes at which the
aperture of a lens can be set to alter the focal length. |
| Fugitive Ink |
Ink (usually water soluble)
used in security printing to combat forgery. |
| Full Out |
Type set to full measure
with no indentation. |
| Furniture |
Wood, metal or plastic
placed within a letterpress forme to fill the areas between printing
surfaces. |
| Fuzz |
Fibres standing up from
a paper surface. |
|
|
|
G
|
| Galley |
Shallow metal tray used
to hold type. |
| Galley Page Proofs |
Proofs of pages on galley-
length paper . |
| Galley Proof |
Proof of type standing
in a galley, prior to assembly into pages. |
| Gamma |
Photographic term for contrast
resulting from development, not the contrast of the original photographic
exposure. |
| Caralde |
Type face classification
based on the British Standard Type Classification System. Used
to describe Old Style types such as Bembo, Caslon, and Garamond. |
| Gatefold |
Flap from the fore-edge,
with a fold running parallel to the spine of the book. The finished
page is marginally smaller than the normal trimmed page. A double
fold, usually of card or heavy board, from the two outside edges
of a folder The two folded pages meet in the centre of the page,
edge to edge, rather like a double gate. |
| Gathering |
Placing the sections of
a book in correct order before binding. |
| Ghosted |
Details reduced in tone,
to isolate a particular component in a photograph, e.g. an engine
of a motor vehicle. |
| Glyphic |
British Standard type face
classification. Used for types such as Albertus, Latin etc. |
| GM2 |
See GSM. Grams per square
metre. |
| Goldenrod Paper |
In offset lithography,
a specially coated yellow or orange masking paper used by strippers
to assemble and position negatives for exposure onto press plates. |
| Gothic |
Sans serif type. |
| Graduation |
Gradual transition from
one tone to another; ie. dark to light or one colour to another. |
| Grain |
In papermaking, the direction
in which most fibres lie corresponding to the direction that the
paper travels during the papermaking process. |
| Graining |
In lithography, subjecting
the surface of metal plates to the action of abrasives. Greater
water-retention is imparted to an otherwise non-porous surface. |
| Grammage |
Weight of a standard area
of paper expressed in grams per square metre, abbreviated gsm
or gm2. |
| Graphic |
Type classification covering
types which look as through they have been drawn. eg. Old English,
Cartoon. |
| Graphics |
The drawing or design components
of material prepared for printing. These can be hand drawn, derived
photographically or computer generated. |
| Grey Scale |
The range of tones from
white to black, placed at the side of original copy during photography
to measure the tonal range. |
| Gripper Edge |
Leading edge of paper blank
to receive grippers as it passes through a printing press. The
front edge of a lithographic or wraparound plate secured to the
front clamp of plate cylinder. |
| Gripper Margin |
Unprinted blank edge of
paper on which grippers bear, usually half an inch or less. |
| Grippers |
Metal fingers that clamp
on paper to hold it as it passes through a printing press. |
| Groundwood Pulp |
Mechanical wood pulp used
in the manufacture of newsprint and other unsurfaced papers. |
| GSM |
Grams per square metre:
a standard measure of the weight of paper Also expressed as gm2. |
| Guard |
Narrow strip of paper or
other material sewn into a book. It may have a sheet such as a
fold-out map attached. |
| Gum Arabic |
In offset lithography,
used in platemaking and on press to desensitise non- printing
areas of plates. Used with bichromate to sensitise deep-etch and
bi-metal plates. |
| Gutter |
Inner margin of a page. |
|
|
|
H
|
| Hair Spaces |
Very thin spaces between
letters and words. |
| Halation |
(Halo) In photography,
a blurred effect, resembling a halo, occurring in highlight areas
or around bright objects, caused by reflection of rays of light
from the back of negative material. |
| Half-Sheet Work |
See Work-and-Turn. |
| Half-Title |
Title of artwork printed
on the right hand page immediately preceding the title page. Also
known as a bastard title |
| Halftone |
Reproduction of continuous
tone artwork, such as a photograph, with the image translated
into dots of various sizes. |
| Hand Made Paper |
Method of papermaking in
which the operator dips a mould or wire screen into the pulp vat
and lifts it out, taking sufficient pulp to form a sheet of paper.
The fibres are felted together by shaking the mould by hand. |
| Hanging Figures |
Numerals with ascenders
and descenders. Also known as old-style figures. |
| Hanging Indentation |
Arrangement of type in
which the first line of the tat is set full out. Following lines
are indented at the left. |
| Hard Copy |
Product of a word processor
at various stages in data processing or as a check to typesetting.
Hard copy is often used for proof reading and correction of data
where the system does not incorporate a verification stage. |
| Hardware |
Physical equipment of a
computer. Compare with software. |
| Head (Margin) |
Margin from the top of
the type area to the top of the page. |
| Headbands |
Strips of material (often
decorative) placed at the head (sometimes also the foot) of the
spine of a bound book. |
| Hickey |
Spot or imperfection in
printing due to dirt on the press, hardened specks of ink, etc. |
| Highlight |
Whitest parts of a photograph
represented by the smallest dots or the absence of dots. |
| Hot-Metal Setting |
Typesetting systems using
hot metal (e.g. Linotype, Monotype.) |
| Humanist |
British Standard Type Classification
System for types such as Verona, Centaur, Kennerley. |
| Hydrophilic |
Water loving; can be wet
by water, rejects oil. |
| Hydrophobic |
Water rejecting; water
repellent. |
| Hypo |
Abbreviation for sodium
thiosulphate or sodium hyposulphite, a chemical used image on
a photographic film after development. |
|
|
|
I
|
| Ibid |
In the same work. |
| Idem |
The same. Also a trade
name for a paper producing copies without carbon paper. |
| Idiot Tape |
Perforated or magnetic
tape, from the keyboard of a typewriter or typesetting system,
which contains no instructions on hyphenation or justification. |
| Imposed Signature Proof |
Proof of a sect of a book,
usually the first, which carries the title page and other preliminary
matter. |
| Imposition |
Laying out of pages so
that the will be in correct order after the printed sheet is folded. |
| Impression |
In printing, the impression
o plate or blanket as it comes in contact with the paper. |
| Imprint |
Name and address of publisher
or printer or both. |
| Indent |
Blank space at the beginning
of a line or lines. The first line of a new paragraph usually
indented. |
| Index |
Alphabetical listing of
topics or subjects in a book showing the page numbers on which
they appear |
| India Paper |
Thin, strong, opaque paper
(Bible Paper), usually made of rag, suitable for Bibles and other
works which would be of excessive bulk if printed on thicker paper |
| Inferiors |
Small letters or figures
printed below the level of the line or type, as in chemical formulae. |
| Initial Letters |
Large capital letters,
plain or ornamental, used at the beginning of a work and at the
beginning of chapters. These may be "dropped" or "raised". |
| Ink Fountain |
The container which supplies
ink to the ink rollers of a press. |
| InkJet printing |
Images are generated by
shooting small amounts of ink (black or coloured) from the printhead. |
| Insert |
Specially printed piece
for insertion in a publication. |
| Insides |
Term applied to completed
text before binding. |
| Intaglio printing |
Method of printing from
plates or cylinders in which the image is etched or engraved below
the surface, as in gravure or steel or copper engraving. |
| Interface |
Link between various components
of a system, with particular reference to computers. |
| Interleaf |
Leaves inserted between
pages of a book. |
| Interneg |
Negative used to make a
black and white photoprint from a colour transparency |
| Intertype |
Hot-metal slugsetting composing
machine, similar to Linotype; a trade name. |
| IR |
Infra Red. |
| ISBN |
International Standard
Book Numbering system. |
| ISO |
International Standards
Organisation. |
| ISSN |
International Standard
Serial Number. |
| Italic |
Type version where the
letters slope forward as distinct from upright, or Roman, letters.
Used to distinguish word emphasis or where a word is used in a
foreign language. |
|
|
|
J
|
| Jobbing printing |
Printing other than book,
periodical and newspaper work. |
| Jog |
To stack sheets of paper
into a: flush pile |
| Justify |
To space words and letters
to a given measure. Vertical alignment at the right and left of
the column. |
|
|
|
K
|
| K |
Abbreviation for a quantity
of 1,000. |
| Keep Down |
Use lower case type except
where capitals are specifically marked. |
| Keep Standing |
Retention of type for possible
reprinting. |
| Kern(ing) |
In metal type, that part
of a letter which overhangs the type body. Kerning involves closing
up type where the letter shape results in uneven letter spacing,
eg. LT |
| Key |
To code copy to a layout
by means of symbols, usually letters. Insertions are sometimes
"keyed" in like manner. In lockup, a device for operating
quoins. |
| Keyline Drawing |
Simplified overlay with
instructions as a guide to illustrated material. |
| Key Plate |
In colour printing, the
plate (usually black) used as a guide for the register of other
colours. |
| Kraft |
Paper or board made from
unbleached wood pulp (brown in colour) by the sulphite process. |
|
|
|
L
|
| Lacquer |
Clear coating, usually
glossy, applied to a printed sheet for protection or to enhance
appearance. |
| Laid |
Paper which, when held
to the light, shows a series of ribbed lines. Wire vertical or
chain lines, horizontal or laid lines close together. Caused by
the pattern on the dandy roll. |
| Laminate |
Bonding clear plastic film
by heat and pressure to a sheet of paper to protect the print
and improve its appearance. |
| Landscape |
Page or illustration wider
than it is deep. |
| Large Post |
Imperial paper size, 21
" x 16.5 " (53.34 cm x 41.91 cm). |
| Layout |
Sketch or plan specifying
size, position of type and illustrations, treatment of headings
etc. Widely used in the preparation of advertisements. |
| Leaders |
Line of dots to lead the
eye from one point to another, as in tables. |
| Lead |
In composition, a thin
strip of metal used for spacing between lines of type |
| Leaf |
Two pages of a book; the
front and back of a single piece of paper |
| Ledger Paper |
Business paper used for
keeping records, subjected to wear, thus needing a high degree
of durability and permanence. |
| Legend |
Explanatory symbol detail
included within the boundaries of a map or illustration. |
| Letterset(Dry Offset) |
Printing process which
uses a blanket (like conventional press) to transfer an image
from plate to paper. Unlike lithography, it uses a relief plate
and requires no dampening system. |
| Letterspacing |
Spacing between letters. |
| Letterpress |
Printing direct from upraised
type or blocks. |
| Library Binding |
Strong binding suitable
for library book usage. Special binding services for libraries. |
| Ligature |
Tied letters such as ff,
ffi cast as a single piece of type. |
| Line Block |
Letterpress engraving consisting
of lines rather than halftone dot screen. No process graduation
of tone. |
| Line Copy |
Copy suitable for reproduction
without using a screen. |
| Lineale |
A type face classification
which is subdivided into four groups: Grotesque, Neo-grotesque,
Geometric and Humanist. Lineale faces are also known as Sans serif. |
| Lining Figures |
Numerals of the same height
as the capital letters of a typeface. Also known as modem figures. |
| Linofilm |
(Linotron) Phototypesetting
system, trade names. |
| Linotype |
Composing machine which
sets type in solid lines, known as "slugs"; a trade
name. |
| Literals |
Typesetting errors, wrong
letters, wrong fonts, misspellings etc. |
| Lithography |
Printing by planographic
process (Q.V.) |
| Loading |
Process by which china
clay, titanium dioxide or barium sulphate is added to paper to
improve, opacify and whiten the surface. |
| Loc.cit |
In the place cited. |
| Lockup |
In letterpress, to lock
a forme in a chase for printing. |
| Logotype |
(or Logo) Trademark or
corporate mark. A unique design used in letterheads, advertising
and printed matter. |
| Long lnk |
Ink that has good flow
to press ink rollers. |
| Lower Case |
Small letters in type as
distinct from capital letters. |
| Ludlow |
Semi-automatic hot-metal
compassion system; a trade name |
| Lumitype |
Phototypesetting system,
later known also as the Photon; a trade name. |
|
|
|
M
|
| M |
Abbreviation for a quantity
of 1000. |
| Machine Coated |
Paper machine coated on
one or two sides during paper making. |
| Machine Direction |
Grain of the paper resulting
from water travelling across the fibres during manufacture. |
| Machine-Finish (MF). |
Paper which has received
no additional finishing process after leaving the paper machine. |
| Magenta |
The bluish-red component
of the standard four-colour printing ink colours. |
| Magnetic Tape |
Magnetised plastic tape
coated with ferrous oxide; used to store information. |
| Make-Ready |
Final machine preparation
for printing to ensure an even impression over the entire printing
area. Can be a significant percentage of the costs of printing,
particularly for short runs of colour work. |
| Make Up |
Arrangement of type-matter
and illustrations into pages. |
| Manuscript |
Originally "handwritten',
usually applied to the onginal text of a book. |
| Marbled Paper |
A simulated marble finish
applied to paper by floating an oil based ink on the surface of
water. Often used as end papers in books. |
| Margins |
Space surrounding the print
area of a page. |
| Mask |
In colour separation, an
intermediate photographic negative or positive used in colour
correction of an original. In offset lithography, opaque material
used to cover or remove areas of printing plates during exposure. |
| Masking |
A method of removing or
shaping illustrations or maps. Can be used to change the proportions
of a photograph or picture. |
| Masstone |
Colour of solid ink. Ink
usually appears as a different colour when printed. |
| Matrix |
Mould in which type is
cast in linecasting machines. In stereotyping, the paper mould
or mat made from a type form. |
| Matt Finish |
Paper finish without gloss. |
| Matt Print |
Photoprint having a dull
finish. |
| Measure |
Width to which type is
set. |
| Mechanical (Pasteup) Assembly |
Page layout prepared as
an original for photo-mechanical reproduction. |
| Mechanical Tints |
Preprinted patterns Used
to simulate shading or textures. Are available in screen form
or as rubdown transfers. |
| Mechanical Wood Paper |
Paper made from mechanically
treated wood paper pulp. |
| Microfiche |
Sheet of microfilm usually
150mm x 105mm on which a series of small images is arranged in
a grid. |
| Microfiche Reader |
Viewing device which enlarges
microfiche images. |
| Microfilm |
Film in various forms (eg
rolls, sheets) on which images are greatly reduced in size for
the purposes of storage or filing. |
| Microform |
General term to describe
images reproduced in miniature, usually on roll or fiche. |
| Middletones |
Tonal range between highlights
and shadows of a photograph or reproduction. |
| Mitre |
To cut the ends of rules
and borders, at an angle of 45 degrees, so that the corners join
at right angles. |
| Mock-up |
Model of the finished book
or magazine with essential detail sketched in. |
| Modem |
A contraction of 'modulator-demodulator'
A link between computers, or computers and information services,
through the telephone system. |
| Modern Figures |
See Lining Figures. |
| Moire |
Screen pattern in printing
caused by overlaying conflicting screen angles. Resembles the
moire pattern in silk. |
| Monophoto |
Filmsetting system of type
based on the Monotype system of hot-metal compassion, |
| Monotype |
Typesetting system consisting
of separate keyboard and typecasting machines; a trade name. |
| Montague |
Combination of related
pieces of copy appearing as one to tell a complete story. |
| Mortise |
To remove part of a mounted
letterpress engraving to permit the insertion of type or other
matter. |
| Mottle |
Spotty or uneven appearance
of printing. |
| Mould-Made Paper |
Imitation hand-made paper
produced on a flat or cylindrical mould whose surface is divided
into sections by thin rubber strips. |
| Mount |
Base on which a letterpress
engraving is fastened to bring it up to type height. |
| Mount Flush |
To mount a letterpress
block on its base without flanges at one or more edges. |
| Mouse |
A small, mouse-like, hand-held
device used to control and direct computer screen cursors. |
| Mutton |
See Em. |
| Mullen Tester |
Machine for testing the
bursting strength of paper. |
|
|
|
N
|
| Negative |
Photographic image on film
in which black values in the onginal subject are transparent,
and white values are opaque; light greys are dark, and dark greys
are light. |
| Newsprint |
Paper made mostly from
ground wood pulp with a small percentage of chemical pulp; used
for printing newspapers. |
| Nickeltype (Nickelo) |
In electrotyping, a plate
on which the first deposit is nickel and the remainder of the
shell is copper. Nickeltypes give sharper definition in printing
and are more durable than copper. |
| Nonpareil |
Type or space of 6 pt size. |
| Nut |
See En. |
|
|
|
O
|
| Obelisk |
See Dagger. |
| Oblong (Landscape) |
Book or brochure wider
than it is deep. |
| OCR |
Optical character recognition
of type by a scanner which senses the light reflected from the
printed image and provides impulses to recognition circuits to
identify each character. |
| Octavo |
Size of a broadsheet folded
to make eight leaves. (Sixteen pages.) |
| Off-Line Equipment |
Devices to provide services
to a video tape editing system without utilising the main (and
more expensive) equipment. |
| Offset |
Printing in which the image
is transferred from plate to paper by means of a rubber-covered
cylinder. A general term for offset lithography. |
| Offset Paper |
Paper specially made for
printing by offset lithography. |
| Old-Style Figures |
See Hanging Figures. |
| On Line Equipment |
The main data processing
system. |
| Op.cit |
In the work cited. |
| Opacity |
Property which minimises
"show- through" of printing from the reverse side of
a sheet of paper. |
| Opaque |
In photoengraving and offset
lithography, to paint out areas on negative or positive film not
wanted on the plate. |
| Opaque lnk |
The special ink used to
"opaque" or eliminate unwanted features of work on film. |
| Ornament |
Type borders, flowers,
rules used to "decorate" areas of type. |
| Orthochromatic |
Photographic emulsions
which are insensitive to red but sensitive to ultraviolet, blue,
green, yellow and orange light. |
| Overhang |
Cover Cover larger in size
than the pages it encloses. |
| Overlay |
In artwork, transparent
covering over copy on which instructions or corrections can be
marked. |
| Overmatter |
Matter which has been set
but cannot be accommodated on any page. Also known as overset. |
| Overprinting |
Double printing; printing
over an area already printed. |
| Overrun |
To tum over words from
one line to the next for as long as is necessary after a deletion
or insertion has been made |
| Overs |
Copies of print matter
in excess of the quantity required. |
| Overset |
Type set in excess of space
available. |
|
|
|
P
|
| Page-On-Galley |
Page proofs on galley-
length paper. |
| Page Proof |
Proof pulled after the
work has been made up into pages. |
| Pagination |
Paging of a book and the
numbering of the pages. Trade name for an electronic system used
in colour scanning. |
| Panchromatic |
Photographic film sensitive
to all visible colours. |
| Paper |
The word derives from Papyrus,
a reed-like plant growing in Egypt along the banks of rivers. |
| Paper Master |
Paper printing plate used
on an offset duplicator. The image is made by hand drawing or
typewriter. |
| Papyrus |
An aquatic plant of the
sedge family Papyrus anbquorum, once grew prolifically in Egypt. |
| Paragraph Mark |
Sixth of the reference
marks, following the section mark. |
| Parallel Mark |
Fifth of the reference
marks following the section mark. Also known as' "BlindP"
(||) |
| Parameter |
Measurable or quantifiable
characteristic or feature In computer typesetting, line measure,
type size and character width, which may alter from job to job,
although the basic computer program may remain constant. |
| Parchment |
A paper-like material used
for writing from around 500 B.C., made from the skins of sheep
or goats, steeped in lime, stretched pared down to reduce thickness. |
| Parchment Paper |
A type of paper with some
similarity to parchment, made by passing through acid baths. |
| Parentheses |
Round brackets. |
| Passim |
Refers to allusions or
phrases to be found in specified book or authors work. Hence "Shakespeare
passim" |
| Paste Drier |
Drier used in printing
inks, usually combination of lead and manganese compounds. |
| Paste Up |
Type and illustrations
assembled pasted in position. |
| Pasteboard |
Board made up of several
thicknesses of paper glued together. |
| Patent Base |
A slotted metal base on
which unmounted engravings or other plates a secured for printing. |
| Pebbling |
Process of embossing paper
aft printing to give a uniform ripple effect. |
| Perfect Binding |
See Thermoplastic Binding. |
| Perfecting Press |
Printing press that prin
sides of paper in one operation. |
| pH |
Number used for expressing
the acid alkalinity of solutions. A value of 7 is neutral in a
scale ranging from 0 to 14. Solutions of a lower value are acid
while those higher are alkaline. |
| Photocomposition |
Typesetting by photographic
means. Also known as phototypesetting filmsetting, cold-type composition. |
| Photographic Proof |
Proof taken photo graphically
from artwork or film to be used for platemaking. |
| Photogravure |
Printing by intaglio process
from plates made by photography and etching |
| Photolithography |
Lithography from plates
prepared by photographic means. (Q.V.) |
| Photomechanical |
Pertaining to any pro of
printing by mechanical means from a graphically prepared printing
plate. |
| Photon |
Trade name for a system
of phototypesetting. |
| Pi |
Type mixed, and in an unusable
condition. |
| Pica |
Em of 12 points; 6 picas
make approximately 1 inch. Typewriter face having ten charcters
to. the inch |
| Picking |
Lifting of the paper surface.
occurs when ink tack exceeds the surface strength of paper. |
| Pigment |
The colour particles that
give colour, body or opacity to printing inks. |
| Piling |
The build up or caking
of ink on rollers, plate or blanket or the paper build up on the
blanket of an offset printing press. |
| Planographic printing |
Method of printing from
a flat surface neither raised or recessed. eg. Iithography. |
| Plate |
Printing surface such as
an electro, a stereo or a litho plate. The name given to an illustration
inset in a book. |
| Plate Finish |
Term describing a smooth,
hard finish of paper. |
| Plate-Sinking |
Impression of an engraving
plate on a sheet of paper when taking a print on a hand press.
An imitation of this process. |
| Platen |
Flat surface on a printing
press by which the paper is pressed against the type; corresponding
part in a typewriter. |
| PMS |
Pantone Matching System.
Internationally recognised system of colour matching and colour
specification. |
| Pocket Envelope |
Envelope with the opening
on its shorter dimension. |
| Point |
A measure used to indicate
the size of type, e.g., 6 point, 12 point et. One point measures
1172 of an inch. |
| Porosity |
Property of paper that
allows the permeation of air, important for ink penetration. |
| Portrait |
Page or illustration deeper
than it is wide. |
| Pos S |
Apostrophe plus "s"
added to a noun to indicate the possessive. |
| Positive |
Photographic image on film
or glass which corresponds to the original. The reverse of negative. |
| Pre-Make Ready |
Mechanical overlays which
reduce make-ready time |
| Preface |
Introduction of work by
the author, which precedes the text of a book. |
| Preliminary Pages |
Pages preceding the main
text of a work, sometimes folioed in Roman numerals. |
| Pre- press |
The whole activity prior
to printing. This can involve typesetting, lettering, photographs,
drawings, assembly of these components, bromides, colour separations,
proofs, film, printing plates. |
| Presensitised Plate |
A metal or paper plate
precoated with a light-sensitive coating. |
| Press Proofs |
A proof to indicate the
appearance of a colour subject printed on a production or proof
press. The last proof taken before a print run. |
| Pressure Sensitive Paper |
Paper coated with an adhesive
coating, which will stick on contact. |
| Primary Colours |
Yellow, magenta (process
red) and cyan (process blue) in printing; red, green and blue
in photography. |
| Print Area |
The printing area of a
sheet. print areas invariably allow a margin round all four sides
of the sheet, "framing ' the area to be occupied by print. |
| Process Lens |
Photographic lens used
in reproduction of line, halftone and colour originals by a process
camera. |
| Process printing |
Printing from two or more
colour plates to produce intermediate colours and shades. In four-colour
process: yellow, magenta, cyan, and black. |
| Program (Computer) |
Software instructions designed
to control the sequence of a computer operation, usually built
into a disc or tape |
| Progressive Proofs |
In colour separation, a
series of proofs of a colour process reproduction pulled in each
component colour, and in the correct sequence enabling printers
to check colour quality progressively during a print run. |
| Proof (Pull) |
Reproduction of type or
illustrations, prior to final, for the purpose of assessment or
correction. |
| Psychrometer |
Wet-and-dry bulb type of
hygrometer. The most accurate of industrial instruments used to
determine relative humidity. |
| Pull |
See Proof. |
| Put Down |
Reduce from capitals to
lower case. |
| Put Up |
Promote from lower case
to capitals. |
|
|
|
Q
|
| Quad |
Prefix to imperial paper
size names to denote a sheet four times the single and twice the
double area; e g. Demy 22.5 " x 17.5 " (57.15 cm x 44.45
cm); used principally for designing type sizes. Metal lower than
type height used to fill up spaces and short lines in an assemblage
of type (em quad, en quad). |
| Quarto |
The size of an imperial
broadsheet folded to make four leaves. |
| Quoins |
Wedges or mechanical expanding
devices used to lock up letterpress formes. |
|
|
|
R
|
| Raised lnitial |
Initial letter which projects
above the first line of type. |
| Raised printing |
See Thermography. |
| Range |
To align elements on a
printed page, such as illustration and caption. Unjustified settings
may range left or right. |
| Raster |
A computer term for the
pattern of scanning lines for cathode ray tube pictures. |
| Reader |
Person employed to check
type proofs. |
| Ream |
Five hundred sheets of
paper. |
| Recto |
Right-hand page of a book. |
| Reference Marks |
Signs used to direct the
reader from the text to a note. |
| Reflection Copy |
Opaque copy for reproduction.
Must be photographed by light reflected from its surface as distinct
from transparencies which are photographed by transmitted light. |
| Register |
Accurate superimposition
of colours in multicolour printing; exact alignment of pages so
that they back one another precisely |
| Register Marks |
Crosses or other marks on
originals to act as a guide for platemaking, printing and colour
registration; sometimes known as keys. |
| Relative Humidity (RH) |
Amount of water vapour present
in the atmosphere expressed as a percentage of the maximum that
could be present at the same temperature. printing paper can be
affected by high relative humidity. |
| Relief printing |
See Letterpress. |
| Render |
To draw an image by hand.
The process of applying pencil, ink, or paint as part of a drawing
or painting. |
| Repro Bromide |
Now widely used as the
material supplied by advertisers to newspapers for reproduction
as black and white advertisement. A repro bromide is required
to have a print-standard image. All detail must be clear, halftone
dots should be of correct shape and gradation and in focus. See
Bromide. |
| Reproduction Proof |
In composition, proof of
typeface setting suitable for photographic reproduction. |
| Reprography |
Reproduction by photography;
used loosely to describe all duplicating and copying processes,
whether involving photography or not. |
| Rescreen |
Line reproduction of a
photograph which has already been screened, to give impression
of a halftone. |
| Re-screen |
The technique of scanning
a that has already been screened either in a colour or black and
white. Electronic scanners now have a rescreen facility. |
| Resolution |
The clarity of a reproduced
In computer parlance it is expressed by per inch). In printing
half tone or colour images, dots per centimetre is used. |
| Reverse Plate |
Printing plate in which
the parts that are usually black or shaded are reversed so as
to appear white or grey. |
| Reverse printing |
Printed image reversed
either from right to left, from black to white one colour to another |
| Right Angle |
Fold In binding, a term
used two or more folds that are at 90 degree each other |
| Ripple Finish |
Irregular paper finish
suggestive of ripples, produced by an embossing process. |
| Roller Stripping |
Where ink does not adhere
to the lithographic metal ink rollers on a press. |
| Rolling Up |
The inking of the finished
litho plate without taking a proof or impression. |
| Roman |
Normal upright typeface,
as distinct from italics or from bold. |
| Rough |
Artist's sketch or visual,
preliminary to preparation of art, photography and type. |
| Rounding |
Process by which the sewn
and trimmed sections of a book are rounded at the binding edge
to eliminate swelling at the back. |
| Routing |
Cutting away the non-printing
area of a letterpress plate. |
| Royal |
Imperial paper size, measuring
25 " x 20" (63.5cm x 50.8cm). |
| Rubbermark |
Alternative to a watermark:
the pattern is impressed into the wet web of paper during paper
making. |
| Rub-Proof |
In printing, an ink that
has reached maximum dryness and does not mar with normal abrasion. |
| Rule |
Printed line. |
| Run |
Number of copies to be
printed. |
| Run-Around |
A type area set in measures
adjusted to fit around a picture. |
| Run On |
Sentences set to follow
each other without a paragraph break; to start chapters without
beginning a fresh page; additional copies while the job is still
on the machine. |
| Running Head |
Title repeated at the top
of each page of a book. |
| Running Headline |
Brief descriptive heading
printed at the top of a page. |
|
|
|
S
|
| S Pos |
Singular apostrophe placed
after the terminal letter of a noun to indicate the possessive,
after the "s" of a plural noun. |
| Saddle-Stitching |
Securing pages by wire
staples through the centre fold. In saddle-stitched work the printed
sections are inserted one inside the other. |
| Safelight |
Special darkroom (usually
red) lamp used for illumination without fogging sensitised materials. |
| Sans Serif |
Typeface without
serifs, loosely referred to as "Sans" |
| Scaling |
Determining the proper
size for an image to be reduced or enlarged. |
| Scan |
The electronic process
that converts an image from its original form to an electronic
system capable of colour separations and film for printing plates. |
| Scanner |
Electronic device used
in the making of colour separations. |
| Scoring |
Furrowing a sheet, particularly
if it is heavy stock, so that it will fold without cracking. |
| Screen |
Photo screen used to convert
a continuous tone image to a dot formation. The greater the number
of lines to a centimetre the finer the screen. |
| Screen |
Angles In colour reproduction,
angles at which a halftone screen or the original itself are placed
for each of the colour separation negatives, in order to prevent
formation of interference patterns (moire) in the completed colour
reproduction. Angles of 30 degrees between colours produce minimum
patterns. |
| Screen printing |
See Silk Screen. |
| Screen Ruling |
Number of lines per centimetre
on a contact screen or ruled glass halftone screen. |
| Screened Print |
In photography, a print
made from continuous tone copy screened during exposure. |
| Script |
Typeface classification,
indicating a cursive type. Hand lettering to imitate the handwritten
form. |
| Scum |
In offset lithography,
a greasy film which tends to sensitise non-image areas in a plate
to accept ink. |
| Section Mark |
Fourth of the reference
marks following the double dagger. |
| Self-Cover |
Cover printed on the same
stock as a book. |
| Separation |
Separation of colours preparatory
to printing. |
| Serial |
Publications Magazines,
journals et. issued in instalments. |
| Serif |
Short cross-lines at the
ends of the main strokes of letters in some typefaces. |
| Set Flush |
Set full measure without
indention. |
| Set-Off |
In presswork, when the
ink of a printed sheet rubs off or marks the next sheet as iti
s being delivered. Also called offset. |
| Sexto |
Size of a sheet folded
to make six leaves. |
| Shadow |
Darkest parts in a photograph,
represented in a halftone by the largest dots. |
| Sharpen |
To decrease in strength,
as when halftone dots become smaller; opposite of "thicken"
or "dot spread" |
| Sheet |
See Signature |
| Sheetfed |
Prints separate sheets
as distinct from web presses, that print from reels of paper. |
| Sheetwise |
To print one side of a
sheet of paper, with one forme or plate, then tum the sheet over
and print the other side with another forme using same gripper
and side guide. |
| Sheetwork |
See Work-and-Back. |
| Short-Grain Paper |
Paper in which the machine
direction is parallel to its shorter dimension. |
| Short Ink |
Ink that is buttery and
does not flow freely. |
| Show Through |
Condition where printing
on one side of paper can be seen from the other side. |
| Sl (Systeme Internationale) |
System of metric measurement. |
| Side Heading |
Heading set to the left
of the page or column as a separate line. |
| Side Stitching |
Securing sections of a
book by inserting stitches through from the first sheet to the
last. |
| Sidenotes |
Notes appearing in the
margin alongside the passages to which they refer. |
| Signature |
The name given to a printed
sheet after it has been folded. Also the sections (sixteens or
eights) of a book which are gathered for binding. |
| Signature Mark |
Used in bookwork as a guide
o gathering. The signature mark is usually a small capital letter,
but may also be a figure or bar printed at the bottom of the first
page of each section (signature) of the book. The sequence of
signatures is progressive throughout the book. |
| Silk Screen |
(Screen printing) Method
of printing from stencils through a fine mesh of silt, metal or
other material. The stencils may be photographic or cut by hand. |
| Sizing |
Treatment of paper to resist
the penetration of liquids or vapours. |
| Skid |
Platform support for a
pile of cut sheets. |
| Slab-serif |
Typeface classification.
Cairo is a slab-serif type. |
| Slitting |
Cutting printed sheets
or webs into two or more sections by means of cutting wheels on
a press or folder. |
| Small Caps |
Alphabet of small capital
letters available in most Roman typefaces approximately the size
of the lower case letters. Used in combination with larger capital
letters. |
| Smashing |
Flattening or compressing
(the sheets of a book) before binding. |
| Soft lnk |
Descriptive of consistency
of lithographic inks. |
| Soft Dot |
When halation or fringe
around the edge of a dot is excessive and almost equals the area
of the dot itself, the dot is called soft. It can be seen with
dark field illumination. |
| Software |
Programs with the hardware
of a computer typesetting system. |
| Solid Matter |
Type set without extra
space between the lines. |
| Solidus |
Oblique stroke or diagonal,
e g. visual/comprehensive. |
| Spaced Galleys |
Galley proofs in which
the required space has been inserted above and below quoted matter,
headings, tables et. |
| Specification Sheets |
Detailed instructions for
printing, covering such items as type, weight of paper, ink, etc. |
| Specimen Pages |
Prepared to show typestyle,
make-up, imposition and trimming. |
| Spill |
Type that overruns a page. |
| Spine |
Part of a book's cover
or jacket, visible when the book is on a shelf. |
| Spiral Binding |
Book bound with wires in
form inserted through holes punched along the binding side. |
| Standing Matter |
Type, blocks, stereotype
moulds, lithographic negatives or plates stored for re-use. |
| Static Neutraliser |
Printing press attachment
designed to remove static electricity from paper to avoid ink
set-off and feed problems with paper. |
| Step-up |
(Step-and-Repeat) A system
of repeating an image on a plate by stepping it into position
according to a predetermined layout. Used for multiple printing
of packs on a sheet. |
| Stereotype |
Plate cast in molten metal
from a matrix or mould on which a replica of the type and any
illustrations has been impressed. |
| Stet |
Means "let it stand"
It is written on the margin of a proof or manuscript to cancel
an alteration, the word or words to be restored being underlined
with dots. |
| Stipple |
To engrave in dots. A mechanical
screen test. |
| Stock |
Paper or other matnal to
be printed. |
| Stopping Out |
Opaquing of parts of photographic
negatives; staging of halftone plates during relief etching; protecting
certain areas of deep-etch plates so that no ink will be deposited
on protected areas. |
| Strawboard |
Cheap board used in bookbinding
for front and back covers. The board is covered by suitable cover
material, e.g. cloth or hide. |
| Strike Through |
The penetration of ink
through paper during printing. |
| Strip |
To combine two or more
negatives or positives in an illustration. |
| StripPages |
Pages proofed on galley-length
paper. |
| Stripping |
In offset lithography,
the positioning of negatives (or positives) prior to platemaking. |
| Style Sheets |
Normally comprise two or
more composite pages of printed matter with instructions on typesetting,
margins, makeup, treatment of headings etc. |
| Sulphite Pulp |
Paper pulp made from wood
cooked under pressure in a solution of caustic soda and sodium
sulphide. Known as kraft. |
| Supercalender |
In papermaking, a calender
stack, separate from the papermaking machine, with alternate metal
and resilient rolls, used to produce a high finish on paper. |
| Super Calendered Paper |
Paper which has been passed
between heavy rollers to give a smooth surface of moderate gloss. |
| Superiors |
Small letters or figures
appearing above the level of the line of type. Often used to indicate
notes and references, or to indicate powers. |
| Surprint |
Exposure from a second
negative superimposed upon a previously exposed image of the first
negative. |
| Swash |
Letters Ornate letters.
usually capitals in an italic font. |
| System Board |
Type of board used for
card indexes, punch cards and other data processing purposes. |
|
|
|
T
|
| Tabular Work |
Statistical and other matter
set in columns to form a table. |
| Tack Viscosity |
Property of cohesion between
particles of an ink against another surface. Tacky ink does not
break apart readily. |
| Tad |
Margin from the bottom
of the type area to the bottom of the page. |
| Tail-Piece |
Illustration or decoration
at the end of a book or chapter. |
| Take |
Copy divided into consecutively
numbered batches (takes) for distribution among the operators. |
| Ten Pitch |
Typewriter faces which
have ten characters to the inch. See Pica. |
| Text |
Body matter of a page or
book, as distinguished from headings. |
| Text Paper |
General term applied to
high quality antique or laid papers, made in white and colours;
used for booklets, programs, announcements and advertising printing. |
| Thermography |
Process by which an image
is first printed by letterpress, lithography or screen printing
using a special slow-drying ink, dusked with a fine resinous powder
and finally subjected to heat, thus fusing the resin into a glossy
raised image Gives the impression of an "engraved" image. |
| Thermoplastic Binding |
(Perfect or Burst Binding)
Form of binding in which the pages are attached to the cover by
means of a heat-set plastic. See Perfect Binding or Burst Binding. |
| Throw Out |
Folded map or plan printed
and bound in a book to fold out to a size larger than the page
size. |
| Thumb Index |
Alphabetical or subject
index cut into the fore-edge of a book (thumb cut) to facilitate
quick reference. Dictionaries are sometimes thumb cut. |
| Tints |
Even tone areas (strengths)
of a solid colour. |
| Tipped in |
Illustration or other matter
printed separately from the main work and pasted in correct position
at its inner edge to the page following or preceding it. |
| Tissue Overlay |
Thin, translucent paper
placed over artwork for protection also used to indicate colour
break and corrections. |
| Title Page |
Right-hand page at the
front of a book following the half-title page. Title Page shows
the title of the book, the author's name, the publisher's name
and the year of publication. |
| ToneDrawings |
Drawings which cannot be
reproduced by line because they use brush, wash or other forms
of shading to merge gradually from black to white. |
| Tone Drop Out |
Photograph treated to remove
the halftones to enable it to be reproduced in line form. A similar
result can be achieved by photocopying a photograph using a line
process negative. |
| Tooth |
Quality of paper which
causes it to take ink readily. |
| Transitional |
Typeface classification
referring to type designs midway between traditional and modem
type designs. |
| Transparency |
Monochrome or full-colour
photographic positive or picture on a transparent support, intended
for viewing and reproduction by transmitted light. |
| Transparent |
See Show-Through. |
| Transparent lnks |
Inks which permit under-
printing to show through; the two colours blending to produce
a third. |
| Transpose |
To move letters, words,
lines paragraphs etc. from one position to another. |
| Trapping of Inks |
Proper trapping is the
condition when the same amount of ink transfers to previously
printed ink as to blank paper. |
| Trim |
To take a small cut off
the outer edge. |
| Trim Marks |
Marks placed on copy to
indicate the edge of the page for trimming. |
| TTS |
Teletypesetting; a trade
name. |
| Turnover |
If setting occupies more
than one line, the second and subsequent lines are called turnovers. |
| Twelve Pitch |
Typewriter faces which
have twelve characters to the inch. See Elite. |
| Twin Wire Papers |
Papers made in two halves
and joined while still wet so that they have the same surface
on each side of the sheet. |
| Type Area |
Printed area of a page. |
| Type Gauge |
Printer's tool calibrated
in picas used to measure the various sizes of type and measure
of setting. |
| Type Height |
Uniform height (23 .32
mm or 0.918 ") at which type is cast and illustrations are
mounted so that a uniform impression will be achieved. |
| Type High |
0.918 " (23 .3172
mm); the standard in letterpress. |
| Typescript |
Typewritten copy. |
|
|
|
U
|
| Underline |
Rule printed under a word
or words. Also for marking copy and proof See Type Corrections. |
| Unders |
Number of copies short
of the quantity ordered. |
| Uniset |
Systems of computer typesetting
in which all characters are the same width, as on an ordinary
typewriter Sometimes called unispace. |
| Unjustified |
Type set so that successive
lines are of different widths. |
| -Up |
In printing, two-up, three-up,
etc refers to imposition of material to be printed on a larger
size sheet than would be necessary for only that material, to
take advantage of full press capacity. |
| Upper Case |
Capital letters. |
| UV |
Ultraviolet rays used as
an ink vehicle drying method. |
|
|
|
V
|
| Vacuum Frame |
An exposure frame in which
the negative (or positive) is held directly to the plate by vacuum.
In photography, used for contact printing. |
| Varnish |
Thin, protective coating
applied to a printed sheet for protection or appearance. In inkmaking,
it can be all or part of the ink vehicle. |
| Vehicle |
The fluid component of
ink which acts as a carrier for the pigment. |
| Vellum |
An early paper-like material
similar to parchment. Made from the skins of young calves or stillborn
lambs. Was in use through the Middle Ages. |
| Vellum Finish |
A toothy paper finish which
is relatively absorbent for fast ink penetration. |
| Veranda |
Projection of the boards
beyond the head, fore-edge and tail of a book. Sometimes known
as squares. |
| Verko |
An embossed printing effect
achieved by the use of special inks and powders. See Thermography. |
| Verso |
Left-hand page of a book. |
| Vignette |
Illustration in which the
tone fades gradually away until it blends into the unprinted paper |
| Viscosity |
A broad term emcompassing
the properties of tack and flow of printing inks. |
| Visuals |
Rough sketches, prepared
by a designer in deciding the layout of printed matter. |
|
|
|
W
|
| Waisted Point |
See Decimal Point. |
| Walk Off |
In lithography, the failure
of part of an image to adhere to the metal plate during printing. |
| Washup |
Process of cleaning the
rollers, forme or plate, and sometimes the fountain of a press. |
| Watermark |
A name or design impresssed
into paper by the raised pattern of the dandy roll during paper
manufacture. |
| Wax Engraving |
A method of reproducing
ruled forms and maps by cutting lines into a wax case backed by
a thin sheet of copper, moulding or stamping type, then electrotyping. |
| Web |
Paper not cut into sheets
but reeled. Thus web-fed, web-offset. |
| Web Press |
A press which prints from
rolls (or webs) of paper. |
| Web Tension |
Amount of pull or tension
applied in the direction of travel of a web of paper by the action
of a web-fed press. |
| White |
Part of the page on which
printing does not appear in tabular work, the space normally occupied
by a single line of type; thus, one white, two whites etc. |
| White Out |
To space out type so that
it will fill the required area. To delete unwanted mattter with
white correcting fluid or paint. |
| Widow |
In composition, a single
word in a line ending a paragraph: frowned upon in good typography. |
|
|
|
X
|
|
Y
|
|
Z
|